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AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
Mobile Fidelity - MFSL 1-373 - 180 Gram Virgin Vinyl - AAA 100% Analogue
AAA 100% Analogue - Numbered Limited Edition - Pressed at RTI
Mastered by Kreig Wunderlich from the Original Master Tape at MFSL
Half-Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
MoFi has hit the ball out of the park with these reissues. They are essential listening -- and purchases. TheAudioBeat Review
Lifelike Sonics: Mobile Fidelity Presents This Standard with a Dynamic Sound That Allows You to Picture Davis’ Mouth as He Blows Harmon-Muted Trumpet! Hipness Personified: Davis’ Columbia Records Debut Highlights His Diverse Palette and Famed Quintet.
Blowing Cool and Hot Jazz: Quintet Plays Reflective Ballads, Pop Standards, and Fervent Bop on One of Era’s Only Complete Start-to-Finish Full-Length LPs. Miles Davis’ first album for Columbia, ‘Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane.
As one of the era’s only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmark—a summation of the styles that came before its creation, an immersion into the period’s cutting-edge strains, and a hint of the rivoluse modalism that would follow. Part of Mobile Fidelity’s Miles Davis catalog restoration series, ‘Round About Midnight now resonates with a physical palpability and emotional heft never before experienced. Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition traces the individual paths each musician takes in contributing to the whole, whether it’s pianist Red Garland’s left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns.
Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving. Historically, few jazz records claim the significance boasted by ‘Round About Midnight. The album’s creation—and the assembly of Davis’ quintet, which also includes Paul Chambers and Philly Joe Jones—stems from the headliner’s rousing rendition of the title-inspired track, “’Round Midnight,” a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio.
It wasn’t the composer’s only surprise. 'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during “Ah-Leu-Cha” and its Dixieland shades. Soak up the progressive drama and swinging tempos on “All of You” and “Bye Bye Blackbird.” Delight in the mélange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis’ warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers. Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, ‘Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and light a cigarette.
This is Miles and Co. at their best. Hipness personified.
• Numbered, Limited Edition
• Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
Miles Davis, trumpet
John Coltrane, tenor sax
Red Garland, piano
Paul Chambers, bass
Philly Joe Jones, drums
Zoot Sims, tenor sax
Gerry Mulligan, baritone sax
Thelonious Monk, piano
Percy Heath, bass
Connie Kay, drums
1. ‘Round Midnight
3. All of You
4. Bye Bye Blackbird
5. Tadd’s Delight
6. Dear Old Stockholm
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.
RTI HQ-180 Vinyl
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.