Mose Allison - Takes To The Hills - 180g LP

Product no.: PPANBA17301

In stock

Mose Allison - Takes To The Hills - 180g LP
£32.99
Price includes VAT, plus delivery


Available delivery methods: UK Tracked with Signature, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head

Pure Pleasure -  PPAN BA17031  - 180 Gram Virgin Vinyl - AAA 100% Analogue

Pure Analogue Mastering  -  Pressed at Pallas Germany - Limited Edition

Mastered at Ray Staff at Air Mastering London - Epic BA 17031

 
"This 1961 LP was his third and final release on the Epic label while under contract with Columbia. Backed by a top flight jazz ensemble including Paul Motian, Addison Farmer, and Henry Grimes, Mose explores a broad selection of songs, but the star of the set is his rendition of Willie Love's ‘V-8 Ford Blues, although his take on Big Joe Williams ‘ ‘Baby Please Don't Go' is also a stand out. This LP does not frequently turn up used that often and is a fine introduction to Allison's style. The original had fine Epic sound and the reissue is well mastered by Ray Staff." Recording = 9/10; Music = 8.5/10 - Dennis D. Davis, Hi-Fi +,
 
What sells this issue and justifies a premium price are the superb acoustics provided by ace remastering engineer, Ray Staff. PurePleasure advertises their releases as pressed on “silent” 180 gm vinyl, and it is absolutely so on this audiophile vinyl. There is an intimacy where the sound stage puts the listener in a first row position catching Allison’s humming, and expressive piano runs. If you dig Mose Allison and have a turntable you’d like to show off, then this audiophile LP fits the bill nicely… AudioPhileAudition 
 
the folks at Pure Pleasure had the good sense to stay out of the recording’s way and let it speak and scat for itself. Nothing too mind blowing here. Just a well recorded reissue on a single disc pressed perfectly. Mose’s vocals are clear as a bell, and the small combo lends itself perfectly to the mood. Allison is an American original. He’s done it his way, and his way works. Takes To The Hills is proof. - Sound 5/5 Hifedity
 
People have been trying to categorize Mose Allison since he started playing professionally over forty years ago. The problem being, he’s too blue to be jazz, to jazzy to be blues. What he has forged, then, is a completely distinctive sort of music with his own signature voice. His acerbic wit has always been his calling card, as well as an albatross around his neck: he’s been branded a cynic against his will. To Allison, it’s just a matter of telling it like it is.
 
Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London 
 
The incomparable and profoundly influential pianist/singer-songwriter Mose Allison – who’s inspired everyone from Georgie Fame, The Who and The Clash to Van Morrison and Pixies – developed his own unique, idiosyncratic style that melded an ironic sense of wit and humour with country-blues inflections and a bebop-esque vocabulary.
 
 Besides cool playing and his uniquely smoky singing, Mose has great taste in material. "Hey Good Lookin'" fits right in with revisited versions of "I Love the Life I Live," "I Ain't Got Nobody" and "Baby Please Don't Go," complete with what the singer himself calls his distinctive "involuntary groan" during the piano solo. Teo Macero's intimate production makes it feel like you're right there in the studio.  
 
Musicians:
Mose Allison, piano & vocals
Addison Farmer, bass
Jerry Segal, drums
Henry Grimes, bass
Paul Motian, drums
Aaron Bell, bass
Osie Johnson, drums
 
Tracklisting
1. V-8 Ford Blues
2. Please Don't Talk About Me When I'm Gone
3. Baby, Please Don't Go
4.  Hey, Good Lookin'
5. I Love The Life I Live                                            
6.  I Ain't Got Nobody (And Nobody Cares For Me)
 
1. Back On The Corner
2.  Life Is Suicide  
3.  'Deed I Do
4. Ask Me Nice    
5. You're A Sweetheart  
6. Mad With You                  
 
 
 
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Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

There really is nothing quite like it.  It’s the touch, the feel, you have to stop and stare, the cover,  the real thing, even the smell.

Its tangible, you can feel it, see it, study it,   muse/dream over it, it’s real, someone  has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.  

The music and the physical record.  Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover,  the sleeve notes, you are  holding a unique package, produced by craftsmen.

Pure Pleasure  Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe 

Pure Analogue Audiophile Mastering
 
Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl
 
Released in Limited Quantities

PALLAS
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!  
 

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