Terry Riley - In C - 180g LP

Terry Riley - In C - 180g LP

Product no.: PPANMS7178

In stock

Terry Riley - In C - 180g LP
Price includes VAT, plus delivery

Possible delivery methods: UK Tracked with Signature, Airmail Standard, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Pure Pleasure PPAN MS7178 / Columbia  MS 7178 - 180 Gram Virgin Vinyl

AAA 100% Analogue - Pure Audiophile Audiophile Remaster

Pressed at Pallas Germany - Mastered by Ray Staff at Air Mastering London 


Terry Riley’s ‘In C’ – by all accounts, the most important work in the history of minimalism “a masterpiece”– has been re-recorded by Portishead‘s Adrian Utley. Here you have the original after 45 years in all its purest Analogue glory, from Original Master Tapes and expertly re-mastered by Ray Staff, and pressed at Pallas Germany for PURE PLEASURE.

Here are some quotes for this essential recording…

“masterpiece of minimalism, trippy, blissed-out state of musical mind, mystical experience, subtly brilliant, instrumental virtuosity, greatest musical breakthroughs, In C, ushered in a new musical era, after which the world was never quite the same” …and so it goes…

You have never heard it sounding so good, do not miss it!!!


If ever there were a popular work of minimalism, one that stated its purpose so clearly it could not be mistaken, Terry Riley's legendary composition In C is the one. It is a work that needs no explanation for its pulsing sequences of pitch all centering around the 53 phases of no duration played on the note and its performances have been numerous--even if there have been relatively few recordings of it. The Bang on a Can all-stars have recorded perhaps the most innovative version of the work thus far, after Riley's own, which was issued in the 1960s on Columbia's long defunct Odyssey label. This version reads minimalism as popular music and popular music as, finally, classical. The Bang on a Can version is outrageously wonderful. This single repeated note, meditatively engaged and then played upon in modulation, is taken by Bang on a Can and torn apart, with gritty, urban vision, rock & roll energy, and pure New York street smarts.

Using a wide array of instruments (from piano, vibes, glockenspiel, cello, Wu man's pipa, clarinet, mandolin, soprano saxophone, electric guitar, marimba, chimes, and bass) for 45 minutes, this mind-flexing composition is moved through the sequence of all these instrumentalists, each coloring it just a bit, moving it a tad further outside and into the future, the dynamics shift subtly and change, direction becomes fluid, and the drama becomes white-knuckle tense after such a meditative beginning and then releases again. This is the creation of language, tonal, timbral, and spatial. There is an architecture at work in this version that erects small towers of meaning in sound and piles them atop each other until a sonic Tower of Babel is finally fully erected. The pulse never stops; it never disengages no matter which instrument or group of instruments enters or leaves the fray. It is there, constant, always being born and always dying and being transformed, reincarnated as some other sound, some other phrase, but always identified by the pulse.

This is more hypnotic than any rock & roll, and more powerful than any Beethoven symphony is taken in with openness. This is music -- ultimately made by a truly gifted and disciplined ensemble that share a singularly optimistic vision for modern music -- that can, and will, change your life.


Produced by: David Behrman  Recorded at 30th Street Studio,NYC, 1968

Engineering: Fred Plaut, Russ Payne


Personnel : Terry Riley, Leader and Saxophone, with members of the Center of the Creative and Performing Arts in the State University of New York at Buffalo: Margaret Hassell, The Pulse; Lawrence Singer, Oboe; Darlene

Reynard, Bassoon; Jon Hassell, Trumpet; Jerry Kirkbride, Clarinet;

David Shostac, Flute; David Rosenboom, Viola; Stuart Dempster,

Trombone; Edward Burnham, Vibraphone;

Jan Williams, Marimbaphone




Side 1 . In C

Side 2: 1. In C

Produced by: David Behrman

Engineering: Fred Plaut, Russ Payne


Terry Riley - In C - 180g LP


Image result for pure pleasure records  


Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

There really is nothing quite like it.  It’s the touch, the feel, you have to stop and stare, the cover,  the real thing, even the smell.

Its tangible, you can feel it, see it, study it,   muse/dream over it, it’s real, someone  has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.  

The music and the physical record.  Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover,  the sleeve notes, you are  holding a unique package, produced by craftsmen.

Pure Pleasure  Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe

Pre Analogue Audiophile Matering
Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl
Released in Limited Quantities

Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!  

Customers who bought this product also bought

* Prices include VAT, plus delivery

Browse these categories as well: JAZZ, CLASSICAL